avatarparallels:

We're blood Lin, and after thirty years, the least you could do is say hello.

The Legend of Korra fandom Right now:

rampaigehalseyface:

eskalations:

the jinora tattoo scene becomes a little bit sadder when you realize that aang was the only one creating the wind that rang the chimes at tenzin’s ceremony

but the rest of the gaang and the acolytes were probably doing the forms right alongside aang because you know aang would want tenzin to feel he’s a part of a bigger community, even if they weren’t all airbenders too

Hey, could you please tag screencaps of the animatronics from five nights at freddys?? It aggravates my automatonophobia
Anonymous

Ah, I’m right on it!

Sorry for any discomfort or anxiety I may have caused, thank you for informing me!

Fairy tales are more than true: not because they tell us that dragons exist, but because they tell us that dragons can be beaten.

Neil Gaiman, Coraline  (via thatkindofwoman)

This is a paraphrase of G.K. Chesterton:

  • Fairy tales, then, are not responsible for producing in children fear, or any of the shapes of fear; fairy tales do not give the child the idea of the evil or the ugly; that is in the child already, because it is in the world already. Fairy tales do not give the child his first idea of bogey. What fairy tales give the child is his first clear idea of the possible defeat of bogey. The baby has known the dragon intimately ever since he had an imagination. What the fairy tale provides for him is a St. George to kill the dragon. Exactly what the fairy tale does is this: it accustoms him for a series of clear pictures to the idea that these limitless terrors had a limit, that these shapeless enemies have enemies in the knights of God, that there is something in the universe more mystical than darkness, and stronger than strong fear.
    • Tremendous Trifles (1909), XVII: “The Red Angel”
    • Paraphrased Variant: Fairy tales are more than true — not because they tell us dragons exist, but because they tell us dragons can be beaten.
      • The earliest known attribution of this was an epigraph in Coraline (2004) by Neil Gaiman; when questioned on this at his official Tumblr account, Gaiman admitted to misquoting Chesterton: “It’s my fault. When I started writing Coraline, I wrote my version of the quote in Tremendous Trifles, meaning to go back later and find the actual quote, as I didn’t own the book, and this was before the Internet. And then ten years went by before I finished the book, and in the meantime I had completely forgotten that the Chesterton quote was mine and not his.
        I’m perfectly happy for anyone to attribute it to either of us. The sentiment is his, the phrasing is mine.
    • Paraphrased variant: Fairytales don’t tell children that dragons exist. Children already know that dragons exist. Fairytales tell children that dragons can be killed.

gayonthemoon1239:

rifa:

actualbloggerwangyao:

alvaroandtheworld:

ultrafacts:

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THE BEGINNINGS OF KAWAII

No, no, you have no idea. It actually IS the beginning of the whole so-called “kawaii culture”. And it started because girls started using mechanical pencils, which provided fine handwriting. After being banished (more precisely, during the 80s), this kind of writing started being used in products like magazines and make-up. And, during this time, icons we usually associate with the whole kawaii industry (like the characters from Sanrio) came to life too.

And what many people don’t realize is that this subculture was born as a way for young girls to express themselves in their own way. And it was also used as something against the adult life and the traditional culture, often seen as dull and boring and oppressive. By embracing cuteness, these young girls (and adult women, after a while) were showing non-conformation with the current standards.

So yep. Kawaii is important, and it all started with cute, simple handwritting a few hearts and cat faces in some girls’ school notebooks <3


!!!!!

NO OK THIS IS SO IMPORTANT!

This is also how the kawaii fashions started! Girls began dressing in cute and off beat styles for themsleves, they were criticized by adult figures telling them “you’ll never find a husband if you dress that way!” to which they began to reply “Good!”

All the japanese subcultures and fashions that evolved out of this became a rebellion to tradition and the starch gender roles and expectations the adults were forcing on the younger generations. As early as the 70s and still to this day you’ll see an emphasis on child-like fashion and themes in more kawaii styles and the dismissal of the male gaze with styles like lolita (a lot of western people assume lolita is somehow sexual due to the name of the fashion, but ask any japanese lolita and they will tell you that men hate the style and find it unattractive which is sometimes a large reason they gravitate towards the style - they can express their femininity and individuality while remaining independent and without the pressure to appeal to men)

Its so so so important to understand the hyper cute and ‘odd’ fashions of Japanese girls carry such a huge message of feminism and reclaiming of their own lives.   

so are you telling me that Japan’s punk phase was really the kawaii phase

mydumbopinions:

moonflowerlights:

ninthtravelingman:

nealdk:

whatarefishfingers:

ruffnutthorstonthebesttwin:

theprettiestman:

Notice how Shan Yu doesn’t even question it or make a comment about “BUT YOU’RE A GIRL” he just instantly goes into a “I’LL TEACH YOU TO KILL MY MEN AND STEAL MY VICTORY” rage and I think about this a lot sometimes

((Well that might have to do with the fact that he’s a Hun.  Women among the Huns had higher status than their Chinese counterparts and even some of their own men. Women were free to hunt and fight along side of the men, could choose their own husbands and divorce him if she choose to. There were even records of clans being led by women leaders. So for Shan Yu Mulan is just another soldier))

thank you, history side of tumblr.

He also might not have been able to see very well, due to whatever horrible disease has taken hold in his eyeballs.

Pretty serious Wilson’s Disease judging by the copper buildup in in irises, and apparent melanocytosis localized to his sclera.

Thank you medical side of tumblr

I absolutely love this post

I don’t know if it was fully intentional or the production team really got it on the ball but either way it’s quite brilliant.

Says something though when the cut throat murderers with poor eye care aren’t the ones making a big deal about women doing stuff.

Equal opportunity murdering all the way!

makos-lightningrod:

I feel like this entire scene had really good moments. They were small and unnoticeable if you were paying attention to the whole arc of the episode rather than the small moments. We’ve been doing commentaries all day of the small moments and I really wanted to touch base on this one. We’ve seen so much interaction between these two from their intimate talk before going off to fight, their father-daughter fighting tag team, and then him watching her battle Zaheer. What pains me to think about is how much I think Tonraq thinks he’s let down Korra as well. Whether she’s the Avatar or not, she’s still his child. She’s still his one and only pride and joy. He’s almost lost her on several life-threatening occasions but all those times before have never beat her down so far. And now, I would imagine that he wants to be there for her. It kills me to think about his scene with her when he was trying to wake her up. And when she does, he tells her he’s never going to let her go again. What Tonraq must be thinking is that he’s let her down. And she probably thinks she’s let him down after he’s told her how proud he is.

I love this part because he comes over to her and kneels in front of her, telling her how beautiful she is. We can see that she’s got the bags under her eyes - that she’s suffering from her poisoning, from depressing, or from nightmares. Whatever the case, she is his shining little girl no matter what. And in the frame before this, she doesn’t have that inkling of a smile on her face. But here…she has a smile. They both do. And for a moment, they look at each other and have this incredibly endearing relationship that kills me.

I imagine that when she thinks about home, she thinks about him most especially (not that I don’t give Senna credit as well, I just wish her relationship with Korra was more intimate than what is shown).

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